I spent this past weekend in a wonderful Light Painting hosted by Harold Ross. While I’m still very much in my infancy in learning the techniques I am thoroughly enjoying the challenges and opportunities that Light Painting offers.
I spent this past weekend in a wonderful Light Painting hosted by Harold Ross. While I’m still very much in my infancy in learning the techniques I am thoroughly enjoying the challenges and opportunities that Light Painting offers.
I always find it interesting to look back at the work I’ve done over the past year. Each year brings new adventures and opportunities not to mention meeting and working with new people. I’ve always said, and it remains true that the best thing photography and the arts have brought into my life are the people that I have met. I’m always inspired by others and learn from them. To a large extent this was a year of change for my work. While I still love figure photography and will continue to do it I felt that I needed something else to expand my vision, something that offered new learning experiences and challenges. I think I’m still searching…..
I was introduced to light painting or light sculpting as we like to call it late in 2010 and managed to put some more work into it in 2011. My abilities and skills remain in their infancy but I’m enjoying the journey and have more planned for 2012. Back in August I signed up for a workshop in the landscape in Lubec Maine with Harold Ross. Harold is a local professional photographer with well over twenty years of light sculpting experience. The thirteen hour drive to Lubec Maine was an adventure in itself as it rained harder than I’ve ever seen almost all the way up. I’ve driven to Rockport Maine three times in the past but Lubec is considerably further north and east. I have a new appreciation for just how large the state of Maine really is. Have a look at a map and you’ll see just how far it is. The experience was worth every ounce of angst I experienced. Spending a week with others totally emerged in creativity was an unforgettable experience. We photographed in the landscape at night and processed our images the next day under the tutelage of Harold and his assistant Roman Coia. We had a chef come in everyday andprepare lunch and I have to say that these were the best lunches I’ve ever had at a workshop.
I was arm twisted by the wonderful folks over at the Chester County Art Association into participating in the first annual Plein Air Brandywine Valley competition. At first I avoided it as I’m not big on competitions. I don’t feel that art should be about competition and the best works selected by a few. I prefer that the consumer of the art decide if he or she likes it. So off I went to photograph some beautiful and interesting locations in and around the Brandywine Valley. One of the attractions of this event was the ability to have access to locations and places that are rarely if ever open to the public.
Many of us photographers have used Polaroid cameras and or film over the years and of course Polaroid is no longer making the wonderful instant films that have been so popular and interesting. There is now an organization, The Impossible Project, that is making some very interesting films that work in the old Polaroid cameras. I was given a few old 600 series cameras and decided to have a go with the Silver Shade film.
As I mentioned above I’m still searching a bit but I always enjoy portraiture and this year my focus has been on what I call “Uncommon Portraits”.
I’m a huge fan of the masterful photographers who came before us paving the way and providing inspiration. Ruth Bernhard was an incredible photographer who created some fantastic art nudes. Paying homage to other’s work for me is not simply a copying effort. It goes much deeper. It forces me to really study the work and gain a full understanding of the pose, the lighting and the messages that could possibly be communicated.
Paying proper homage to Ruth Bernhard requires shooting on film and printing in the darkroom. This image was shot on film and printed in the darkroom. This is a scan of the print.
Thanks go out to my collaborator Beth Caldwell for an outstanding modeling job.
Back in September I taught a natural light portrait workshop at The Chester County Art Association and Nori was one of my models. I had six different cameras with me that day and ended up using only two of them. I say old school as this was shot in natural light on film with a Hasselblad. The image is a scan of the print which again is old school, split grade printed in the darkroom.
I almost passed over this image when editing my shoot with Diana Di Bella. I’m happy that it finally caught my eye for it’s one of those images that I can look at for a long time and it gets better each time I look at it.
I’ve always been a fan of Ruth Bernhard’s work so I finally decided to have a go at paying homage to a wonderful photographer. Thanks go out to my collaborator Beth Caldwell for an outstanding modeling job. Using other’s work as inspiration I find to be an exhilarating, challenging and educational experience. I’m forced to focus on the individual images in much greater detail than I might otherwise. This focus and slower pace while working I believe leads to stronger images that contain a larger piece of both the photographer and model.
I’m very pleased to announce that one of my images has been accepted into the Uncanny: Surreal Photography gallery exhibit at The Vermont PhotoPlace Gallery. Thanks go out to my wonderful collaborator Zinn Star for her contribution to the work. The juror for the exhibit is Russell Joslin, editor SHOTS magazine
Those of you who know me and my photographic philosophies, practices and beliefs know that I despise using a tripod. I’ve always looked at it as an un-neccssary restriction. I prefer to be free and move around while shooting. This week I participated in the Plein Air Brandywine Valley competition. Yeah that’s right a competition, something else I don’t like. A topic for another post…. The weather was not very good this week and the light was not very bright so a tripod was a necessity. I found myself using a very different work flow while shooting. I’d shoot a few frames hand held just to figure out angles and composition. Once I settled on the composition and camera angle out came the dreaded tripod. Yeah, I had to carry the bastard everywhere I went and I did a lot of walking. As I fine tuned the composition using the tripod I found myself working slower affording me enough time to visualize the final image and print. My compositions were much stronger than they would have been hand held and I actually enjoyed the work flow. I may be using a tripod more often…
I’ve included the four images that I submitted to the competition.
Students will learn hands-on by coating the sheets of film, preparing them for printing and making the prints while in the class. Each student will leave with several completed transfer prints. Each student is required to bring 3-4 digital images that are ready to print.
Saturday, October 8, 2011
Class starts promptly at 10:00 am and should finish around 5:00 pm
Location: